Memoirs of Marie Antoinette
By Campan

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Chapter XII.

The Queen did not sufficiently conceal the dissatisfaction she felt at having been unable to prevent the appointment of M. de Calonne; she even one day went so far as to say at the Duchess’s, in the midst of the partisans and protectors of that minister, that the finances of France passed alternately from the hands of an honest man without talent into those of a skilful knave. M. de Calonne was thus far from acting in concert with the Queen all the time that he continued in office; and, while dull verses were circulated about Paris describing the Queen and her favourite dipping at pleasure into the coffers of the comptroller- general, the Queen was avoiding all communication with him.

During the long and severe winter of 1783-84 the King gave three millions of livres for the relief of the indigent. M. de Calonne, who felt the necessity of making advances to the Queen, caught at this opportunity of showing her respect and devotion. He offered to place in her hands one million of the three, to be distributed in her name and under her direction. His proposal was rejected; the Queen answered that the charity ought to be wholly distributed in the King’s name, and that she would this year debar herself of even the slightest enjoyments, in order to contribute all her savings to the relief of the unfortunate.

The moment M. de Calonne left the closet the Queen sent for me: “Congratulate me, my dear,” said she; “I have just escaped a snare, or at least a matter which eventually might have caused me much regret." She related the conversation which had taken place word for word to me, adding, “That man will complete the ruin of the national finances. It is said that I placed him in his situation. The people are made to believe that I am extravagant; yet I have refused to suffer a sum of money from the royal treasury, although destined for the most laudable purpose, even to pass through my hands.”

The Queen, making monthly retrenchments from the expenditure of her privy purse, and not having spent the gifts customary at the period of her confinement, was in possession of from five to six hundred thousand francs, her own savings. She made use of from two to three hundred thousand francs of this, which her first women sent to M. Lenoir, to the cures of Paris and Versailles, and to the Soeurs Hospitalieres, and so distributed them among families in need.

Desirous to implant in the breast of her daughter not only a desire to succour the unfortunate, but those qualities necessary for the due discharge of that duty, the Queen incessantly talked to her, though she was yet very young, about the sufferings of the poor during a season so inclement. The Princess already had a sum of from eight to ten thousand francs for charitable purposes, and the Queen made her distribute part of it herself.

Wishing to give her children yet another lesson of beneficence, she desired me on New Year’s eve to get from Paris, as in other years, all the fashionable playthings, and have them spread out in her closet. Then taking her children by the hand, she showed them all the dolls and mechanical toys which were ranged there, and told them that she had intended to give them some handsome New Year’s gifts, but that the cold made the poor so wretched that all her money was spent in blankets and clothes to protect them from the rigour of the season, and in supplying them with bread; so that this year they would only have the pleasure of looking at the new playthings. When she returned with her children into her sitting-room, she said there was still an unavoidable expense to be incurred; that assuredly many mothers would at that season think as she did,–that the toyman must lose by it; and therefore she gave him fifty Louis to repay him for the cost of his journey, and console him for having sold nothing.

The purchase of St. Cloud, a matter very simple in itself, had, on account of the prevailing spirit, unfavourable consequences to the Queen.

The palace of Versailles, pulled to pieces in the interior by a variety of new arrangements, and mutilated in point of uniformity by the removal of the ambassadors’ staircase, and of the peristyle of columns placed at the end of the marble court, was equally in want of substantial and ornamental repair. The King therefore desired M. Micque to lay before him several plans for the repairs of the palace. He consulted me on certain arrangements analogous to some of those adopted in the Queen’s establishment, and in my presence asked M. Micque how much money would be wanted for the execution of the whole work, and how many years he would be in completing it. I forget how many millions were mentioned: M. Micque replied that six years would be sufficient time if the Treasury made the necessary periodical advances without any delay. “And how many years shall you require,” said the King, “if the advances are not punctually made?"–"Ten, Sire,” replied the architect. “We must then reckon upon ten years,” said his Majesty, “and put off this great undertaking until the year 1790; it will occupy the rest of the century.”

The King afterwards talked of the depreciation of property which took place at Versailles whilst the Regent removed the Court of Louis XV. to the Tuileries, and said that he must consider how to prevent that inconvenience; it was the desire to do this that promoted the purchase of St. Cloud. The Queen first thought of it one day when she was riding out with the Duchesse de Polignac and the Comtesse Diane; she mentioned it to the King, who was much pleased with the thought,–the purchase confirming him in the intention, which he had entertained for ten years, of quitting Versailles.

The King determined that the ministers, public officers, pages, and a considerable part of his stabling should remain at Versailles. Messieurs de Breteuil and de Calonne were instructed to treat with the Duc d’Orleans for the purchase of St. Cloud; at first they hoped to be able to conclude the business by a mere exchange. The value of the Chateau de Choisy, de la Muette, and a forest was equivalent to the sum demanded by the House of Orleans; and in the exchange which the Queen expected she only saw a saving to be made instead of an increase of expense. By this arrangement the government of Choisy, in the hands of the Duc de Coigny, and that of La Muette, in the hands of the Marechal de Soubise, would be suppressed. At the same time the two concierges, and all the servants employed in these two royal houses, would be reduced; but while the treaty was going forward Messieurs de Breteuil and de Calonne gave up the point of exchange, and some millions in cash were substituted for Choisy and La Muette.

The Queen advised the King to give her St. Cloud, as a means of avoiding the establishment of a governor; her plan being to have merely a concierge there, by which means the governor’s expenses would be saved. The King agreed, and St. Cloud was purchased for the Queen. She provided the same liveries for the porters at the gates and servants at the chateau as for those at Trianon. The concierge at the latter place had put up some regulations for the household, headed, “By order of the Queen.” The same thing was done at St. Cloud. The Queen’s livery at the door of a palace where it was expected none but that of the King would be seen, and the words “By order of the Queen” at the head of the printed papers pasted near the iron gates, caused a great sensation, and produced a very unfortunate effect, not only among the common people, but also. among persons of a superior class. They saw in it an attack upon the customs of monarchy, and customs are nearly equal to laws. The Queen heard of this, but she thought that her dignity would be compromised if she made any change in the form of these regulations, though they might have been altogether superseded without inconvenience. “My name is not out of place,” said she, “in gardens belonging to myself; I may give orders there without infringing on the rights of the State.” This was her only answer to the representations which a few faithful servants ventured to make on the subject. The discontent of the Parisians on this occasion probably induced M. d’Espremenil, upon the first troubles about the Parliament, to say that it was impolitic and immoral to see palaces belonging to a Queen of France.

     [The Queen never forgot this affront of M. d’Espremenil’s; she said
     that as it was offered at a time when social order had not yet been
     disturbed, she had felt the severest mortification at it.  Shortly
     before the downfall of the throne M. Espremenil, having openly
     espoused the King’s side, was insulted in the gardens of the
     Tuileries by the Jacobins, and so ill-treated that he was carried
     home very ill.  Somebody recommended the Queen, on account of the
     royalist principles he then professed, to send and inquire for him.
     She replied that she was truly grieved at what had happened to M.
     d’Espremenil, but that mere policy should never induce her to show
     any particular solicitude about the man who had been the first to
     make so insulting an attack upon her character.–MADAME CAMPAN]

The Queen was very much dissatisfied with the manner in which M. de Calonne had managed this matter. The Abbe de Vermond, the most active and persevering of that minister’s enemies, saw with delight that the expedients of those from whom alone new resources might be expected were gradually becoming exhausted, because the period when the Archbishop of Toulouse would be placed over the finances was thereby hastened.

The royal navy had resumed an imposing attitude during the war for the independence of America; glorious peace with England had compensated for the former attacks of our enemies upon the fame of France; and the throne was surrounded by numerous heirs. The sole ground of uneasiness was in the finances, but that uneasiness related only to the manner in which they were administered. In a word, France felt confident in its own strength and resources, when two events, which seem scarcely worthy of a place in history, but which have, nevertheless, an important one in that of the French Revolution, introduced a spirit of ridicule and contempt, not only against the highest ranks, but even against the most august personages. I allude to a comedy and a great swindling transaction.

Beaumarchais had long possessed a reputation in certain circles in Paris for his wit and musical talents, and at the theatres for dramas more or less indifferent, when his “Barbier de Seville” procured him a higher position among dramatic writers. His “Memoirs” against M. Goesman had amused Paris by the ridicule they threw upon a Parliament which was disliked; and his admission to an intimacy with M. de Maurepas procured him a degree of influence over important affairs. He then became ambitious of influencing public opinion by a kind of drama, in which established manners and customs should be held up to popular derision and the ridicule of the new philosophers. After several years of prosperity the minds of the French had become more generally critical; and when Beaumarchais had finished his monstrous but diverting “Mariage de Figaro,” all people of any consequence were eager for the gratification of hearing it read, the censors having decided that it should not be performed. These readings of “Figaro” grew so numerous that people were daily heard to say, “I have been (or I am going to be) at the reading of Beaumarchais’s play.” The desire to see it performed became universal; an expression that he had the art to use compelled, as it were, the approbation of the nobility, or of persons in power, who aimed at ranking among the magnanimous; he made his “Figaro” say that “none but little minds dreaded little books.” The Baron de Breteuil, and all the men of Madame de Polignac’s circle, entered the lists as the warmest protectors of the comedy. Solicitations to the King became so pressing that his Majesty determined to judge for himself of a work which so much engrossed public attention, and desired me to ask M. Le Noir, lieutenant of police, for the manuscript of the “Mariage de Figaro.” One morning I received a note from the Queen ordering me to be with her at three o’clock, and not to come without having dined, for she should detain me some time. When I got to the Queen’s inner closet I found her alone with the King; a chair and a small table were ready placed opposite to them, and upon the table lay an enormous manuscript in several books. The King said to me, “There is Beaumarchais’s comedy; you must read it to us. You will find several parts troublesome on account of the erasures and references. I have already run it over, but I wish the Queen to be acquainted with the work. You will not mention this reading to any one.”

I began. The King frequently interrupted me by praise or censure, which was always just. He frequently exclaimed, “That’s in bad taste; this man continually brings the Italian concetti on the stage.” At that soliloquy of Figaro in which he attacks various points of government, and especially at the tirade against State prisons, the King rose up and said, indignantly:

“That’s detestable; that shall never be played; the Bastille must be destroyed before the license to act this play can be any other than an act of the most dangerous inconsistency. This man scoffs at everything that should be respected in a government.”

“It will not be played, then?” said the Queen.

“No, certainly,” replied Louis XVI.; “you may rely upon that.”

Still it was constantly reported that “Figaro” was about to be performed; there were even wagers laid upon the subject; I never should have laid any myself, fancying that I was better informed as to the probability than anybody else; if I had, however, I should have been completely deceived. The protectors of Beaumarchais, feeling certain that they would succeed in their scheme of making his work public in spite of the King’s prohibition, distributed the parts in the “Mariage de Figaro" among the actors of the Theatre Francais. Beaumarchais had made them enter into the spirit of his characters, and they determined to enjoy at least one performance of this so-called chef d’oeuvre. The first gentlemen of the chamber agreed that M. de la Ferte should lend the theatre of the Hotel des Menus Plaisirs, at Paris, which was used for rehearsals of the opera; tickets were distributed to a vast number of leaders of society, and the day for the performance was fixed. The King heard of all this only on the very morning, and signed a ’lettre de cachet,’–[A ’lettre de cachet’ was any written order proceeding from the King. The term was not confined merely to orders for arrest.]–which prohibited the performance. When the messenger who brought the order arrived, he found a part of the theatre already filled with spectators, and the streets leading to the Hotel des Menus Plaisirs filled with carriages; the piece was not performed. This prohibition of the King’s was looked upon as an attack on public liberty.

The disappointment produced such discontent that the words oppression and tyranny were uttered with no less passion and bitterness at that time than during the days which immediately preceded the downfall of the throne. Beaumarchais was so far put off his guard by rage as to exclaim, “Well, gentlemen, he won’t suffer it to be played here; but I swear it shall be played,–perhaps in the very choir of Notre-Dame!” There was something prophetic in these words. It was generally insinuated shortly afterwards that Beaumarchais had determined to suppress all those parts of his work which could be obnoxious to the Government; and on pretence of judging of the sacrifices made by the author, M. de Vaudreuil obtained permission to have this far-famed “Mariage de Figaro” performed at his country house. M. Campan was asked there; he had frequently heard the work read, and did not now find the alterations that had been announced; this he observed to several persons belonging to the Court, who maintained that the author had made all the sacrifices required. M. Campan was so astonished at these persistent assertions of an obvious falsehood that he replied by a quotation from Beaumarchais himself, and assuming the tone of Basilio in the “Barbier de Seville,” he said, “Faith, gentlemen, I don’t know who is deceived here; everybody is in the secret.” They then came to the point, and begged him to tell the Queen positively that all which had been pronounced reprehensible in M. de Beaumarchais’s play had been cut out. My father-in-law contented himself with replying that his situation at Court would not allow of his giving an opinion unless the Queen should first speak of the piece to him. The Queen said nothing to him about the matter. Shortly, afterwards permission to perform this play was at length obtained. The Queen thought the people of Paris would be finely tricked when they saw merely an ill-conceived piece, devoid of interest, as it must appear when deprived of its Satire.

     ["The King,” says Grimm, “made sure that the public would judge
     unfavourably of the work.”  He said to the Marquis de Montesquiou,
     who was going to see the first representation, ’Well, what do you
     augur of its success?’–’Sire, I hope the piece will fail.’–’And so
     do I,’ replied the King.

     “There is something still more ridiculous than my piece,” said
     Beaumarchais himself; “that is, its success.”  Mademoiselle Arnould
     foresaw it the first day, and exclaimed, “It is a production that
     will fail fifty nights successively.”  There was as crowded an
     audience on the seventy-second night as on the first.  The following
     is extracted from Grimm’s ’Correspondence.’

     “Answer of M. de Beaumarchais to ––-, who requested the use of his
     private box for some ladies desirous of seeing ’Figaro’ without
     being themselves seen.

     “I have no respect for women who indulge themselves in seeing any
     play which they think indecorous, provided they can do so in secret.
     I lend myself to no such acts.  I have given my piece to the public,
     to amuse, and not to instruct, not to give any compounding prudes
     the pleasure of going to admire it in a private box, and balancing
     their account with conscience by censuring it in company.  To
     indulge in the pleasure of vice and assume the credit of virtue is
     the hypocrisy of the age.  My piece is not of a doubtful nature; it
     must be patronised in good earnest, or avoided altogether;
     therefore, with all respect to you, I shall keep my box.”  This
     letter was circulated all over Paris for a week.]

Under the persuasion that there was not a passage left capable of malicious or dangerous application, Monsieur attended the first performance in a public box. The mad enthusiasm of the public in favour of the piece and Monsieur’s just displeasure are well known. The author was sent to prison soon afterwards, though his work was extolled to the skies, and though the Court durst not suspend its performance.

The Queen testified her displeasure against all who had assisted the author of the “Mariage de Figaro” to deceive the King into giving his consent that it should be represented. Her reproaches were more particularly directed against M. de Vaudreuil for having had it performed at his house. The violent and domineering disposition of her favourite’s friend at last became disagreeable to her.

One evening, on the Queen’s return from the Duchess’s, she desired her ’valet de chambre’ to bring her billiard cue into her closet, and ordered me to open the box that contained it. I took out the cue, broken in two. It was of ivory, and formed of one single elephant’s tooth; the butt was of gold and very tastefully wrought. “There,” said she, “that is the way M. de Vaudreuil has treated a thing I valued highly. I had laid it upon the couch while I was talking to the Duchess in the salon; he had the assurance to make use of it, and in a fit of passion about a blocked ball, he struck the cue so violently against the table that he broke it in two. The noise brought me back into the billiard-room; I did not say a word to him, but my looks showed him how angry I was. He is the more provoked at the accident, as he aspires to the post of Governor to the Dauphin. I never thought of him for the place. It is quite enough to have consulted my heart only in the choice of a governess; and I will not suffer that of a Governor to the Dauphin to be at all affected by the influence of my friends. I should be responsible for it to the nation. The poor man does not know that my determination is taken; for I have never expressed it to the Duchess. Therefore, judge of the sort of an evening he must have passed!”


Book 1.  •  Historic Court Memoirs.  •  Book 2. - Chapter I.  •  Chapter II.  •  Chapter III.  •  Chapter IV.  •  Chapter V.  •  Book 3. - Chapter VI.  •  Chapter VII.  •  Chapter VIII.  •  Chapter IX.  •  Chapter X.  •  Book 4. - Chapter XI.  •  Chapter XII.  •  Chapter XIII.  •  Chapter XIV.